DEEP DECORATION
Nina
Rappaport, Architectural Critic, Curator and Educator
Rappaport
describes a growing trend in architecture which uses computational algorithms
to determine a buildings structure. Several possibilities have developed by
using this method; they include the generation of structure that has
characteristics that qualify the structure to coexist with and define a
buildings skin, structure that takes on a decorative nature, and structure that
becomes occupiable as space.
Beijing
National Swimming Center – “The Water Cube”, PTW Architects and Arup Engineers
http://detail-online.com/inspiration/watercube-national-swimming-centre-in-beijing-103313.html
The
crescendo of the article is the quote by Robert Le Ricolais (1894-1977), a
French engineer who studied natural forms and their properties in relation to
structure:
“If you
think about the voids instead of working with the solid elements, the truth
appears. The structure is composed of holes, all different in dimension and
distribution, but with an unmistakable purpose in their occurrence. So we
arrive at an apparently paradoxical conclusion, that the art of structure is
how and where to put holes, to show things that are hollow, things that have no
weight…which have strength, but no weight.”
This way
of thinking about structure is what drives the idea of Deep Decoration; when
considered in this way and with the aid of the computer, structure can have a
more compatible relationship with the creation of space and definition of form,
making a more cohesive whole.
http://www.designbuild-network.com/projects/watercube/watercube12.html
DELEUZE AND THE USE OF THE
GENETIC ALGORITHM IN ARCHITECTURE
Manual
de Landa, Adjunct Associate Professor at Graduate School of Architecture,
Planning and Preservation at Columbia University
De Landa
discusses the use of genetic algorithms in architecture in relation to three
forms of philosophical thinking; populational, intensive and topological. The
first concept is that when considering genetic algorithms you must think in
terms of the entire population of reproductions that are occurring, not just
the individual generators or a specific outcome. The second is that when an
object is divided there are measurable quantities that are also divided such as
area and weight, but there are also some characteristics which are not divided,
such as pressure or temperature. These latter characteristics are “intensive”
characteristics, which are the critical traits that must be passed from
generation to generation. Finally is the concept of topological thinking, which
means the architect must consider an abstract geometry that can be twisted and
bent without breaking, in order to develop a significant population of
offspring.
La
Sagrada Familia Barcelona, Antonio Gaudi
http://americablog.com/2013/10/stunning-video-shows-gaudis-sagrada-familia-cathedral-meant.html
The concept of intensive features is an important way of thinking. The process of distilling architecture into those types of features, which can't be divisible or scale-able is an interesting exercise which seems to be worth further exploration and analysis.
http://marble-b.blogspot.com/2011/11/sagrada-familiya-by-gaudi.html
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